Thursday 30 November

Panels #5

Self-chairing

‘Talking’ Translation: Measuring Spaces of Poetry from Multi-disciplinary Angles

- Robert Barnstone, Tony Barnstone & Kimberly Williams

Self-chairing

We need to talk … about the Creative PhD candidate/supervisor relationship

- Lainie Anderson, Chloe Cannell & Sue Joseph

Chair: Carmel Summers

Digital writing, artificial intelligence and a poet’s desire: A methodology of creative coding with GPT as co-pilot

- Jenny Hedley

Talking in Fragments: the Urdu 'ghazal' in English

- Jinendra Jain

We need to talk about the pedagogical challenges of poetry workshops and re-imagined possibilities

- Lynnette Lounsbury, Carolyn Rickett & Judith Beveridge

Self-chairing

Climate Fiction: Posthuman Artist Laboratory

- Rachel Hennessy, Alex Cothren & Amy Matthews

Building 25

Room 1

Room 2

Main Room

Teal Room

10:30

Morning Tea

Building 25

11:00

Panels #6

Chair: Louise Falconer

Beyond artistic borders and into the future

- Felicity Castagna

Interdisciplinary writing programs

- Wing Sze Leung

Ginger cake and lemon icing: Intergenerational Familial Autoethnography

- Indyana Horobin

Chair: Rose Lucas

Queering the past: Representing neuroqueer characters in historical fiction

- Ariella Van Luyn

‘Motherforklift: Trans-Supportive Parenting in 21st Century Australia’

- Kel Purcill

Experimental approaches to writing shame and desire in fiction

- Eve Nucifora-Ryan & Imogen McKenzie

Chair: Helena Kadmos

Writing Lacunae – Object writing as collaboration with loss in Judith Schalansky’s An Inventory of Losses

- Johanna Ellersdorfer

Objects and Life Writing: What We Learned from Failing

- Marina Deller, Gemma Nisbet & Daniel Juckes

Chair: Elizabeth Smyth

The book as poem: writing silenced themes through collection contents and ordering

- Amelia Walker

‘Split Level’: Articulating Lost Houses Through the Uncanny

- Ella Jeffery

A Rush of Grief: Ekphrasis and emotionally intelligent understandings of pain in children’s picture books

- Shannon Horsfall , Ross Watkins & Jules Richards

Building 25

Room 1

Room 2

Main Room

Teal Room

12:00

Lunch

Building 25

Main Room

12:15

AAWP AGM

Building 25

Teal room

13:30

Panels #7

Chair: Natalie Kon-Yu

All Too Well: metanarrative, storytelling, and the parasocial audience of Taylor Swift

- Jessica Seymour

Twenty-first Century écriture féminine: examining revisionist mythmaking and the representation of women in contemporary mythopoeic fiction

- Juliette Sauvage

Clytemnestra needs to talk (a verbal performance)

- Kirk Dodd

Chair: Irfan Master

Women's magazines, true crime

- Lili Paquet & Rosemary Williamson

Women's voices in true crime podcasting

- Ruth Fogarty

Writing as catharsis

- Tim Baker

Chair: Ian McHugh

What if teaching was deliberately fun? Combating burnout through creative play

- Christine Howe & Emma Darragh

Meditation and the writing self, a pedagogical approach, or, not-talking to make space for talking and writing

- Shady Cosgrove

Talking To Ourselves in an Empty Room

- Stewart Ennis

Chair: Diana Clarke

Beyond Trauma: Queering Biography

- Atul Joshi

‘Saying a lucid yes’: an ecstatic transbody writes

- Quinn Eades

Triple threat: (Screen)writing queer adaptations in the academy

- Dante DeBono

Building 25

Room 1

Room 2

Main Room

Teal Room

14:30

Panels #8

Self-chairing

Playing Western mahjong and writing western stories: It’s hysteresis not hysteria! Poetry as method and balm

- Emily Sun

Speaking About the Unspeakable: Poetry as a Way to Bear Witness to Suffering

- Miriam Wei Wei Lo & Emilie Collyer

Chair: Oscar Davis

Crafting Horse Umwelten: Equine Life-Worlds in Horse Narrative

- Alannah Mewes

Animals, Machines, and Machine-Animals: non-Human Influence on Human Creativity

- Sam Byrnand & Andi Stapp-Gaunt

Fact, fiction and form: writing biographical poetry about poets

- SJ Burton

Chair: Owen Bullock

We need to talk about Creative Care

- Pauline Griffiths

Poetry and wellbeing: A pilot program to evaluate the impact of creative writing for patients in short and long-term rehabilitation

- Owen Bullock